CV - Adrienne Scott
Education
2022- present - MVS Candidate, University of Toronto, Studio Stream
2016 - BFA, University of Ottawa - Concentration in painting and drawing, summa cum laude
Solo Exhibitions
2022 - Economy of Means (project with Emergensies Collective), Curated by Dan Tapper as part of ‘Interstitial Spaces’ series, Array Music Space, Toronto
2021 - Sandbox, Gallery 44 (Vitrines), Toronto
2018 - Magpie Landscapes, Karsh-Masson Gallery, Ottawa
2016 - Tinker Taxonomy, Allsaints Gallery, Ottawa
Selected Group Exhibitions and performances
2021-22 - Holding Pattern, Show of recent additions to the City of Ottawa Public Art Collection, City Hall Art Gallery, Ottawa
2021 - Remote Possibility, Curated by Roundtable Residency, Whippersnapper gallery (Window Space), Toronto
2021 - Plantae, Curated by Shannon Taylor-Jones, Good Sport Gallery, London
2020 - Gap Year, Roundtable Residency, Online Residency Closing Exhibition, Toronto
2019 - Best out of three, Canadian Music Centre Toronto, performance with overhead projector and live music, co-created with Rebecca Gray, presented by Femmelody Chamber Music Collective, Toronto
2019 - Best out of three, White Box Harlem Gallery, performance with overhead projector and live music, co-created with Rebecca Gray, presented by Femmelody Chamber Music Collective, New York
2018 - Red Fish Blue Fish, Performance with videographic score and live music, co created with Rebecca Gray, Ernest Balmer Studio, Toronto
2018 - Grow Op 2018, Curated by Christine Leu and Alan Webb (LeuWebb Projects) with Lukus Toane, Gladstone Hotel, Toronto
2017 - Semaphore, Montreal Contemporary Music Lab, Performance with video and live music, music composed by Rebecca Gray, Conservatoire de musique du Québec à Montréal, Montreal
2017 - SHOW.17, Curated by Iga Janik, Idea Exchange, Cambridge
2017 - Ruminations on two wandering stars, Performance with video and live music, music composed by Rebecca Gray, Nuit Rose, Toronto
2016 - City of Art II, Curated by Phil Anderson, Gallery 1313, Toronto
2016 - Génération Numérique, Centre d’artistes Voix Visuelle, Ottawa
2016 - Ode, Graduating show of BFA students, University of Ottawa
2015 - Jacqueline Fry Scholarship Exhibition, Gallery 115, Ottawa
2015 - Site Sighted, La galerie de L’Alliance Française, Ottawa
2014 - Big x Smalls, Cube Gallery, Ottawa
Grants and Awards
2022-23 - Ontario Graduate Scholarship
2022 - University of Toronto Fellowship
2022 - Ontario Arts Council - Career Catalyst
2021 - Canada Council for the Arts – Concept to Realisation
2016 - Faculty Plaque in Visual Arts
2016 - City of Ottawa -Youth in Culture Pilot Program Grant
2016 - Edmund and Isobel Ryan Scholarship in Photography
2016 - VASA Scholarship in Painting
2015 - Shortlisted for Jacqueline Fry Scholarship
2015 - Ineke Harmina Standish Memorial Scholarship
2013 - Entrance Scholarship, University of Ottawa
2012 - Lillian Raport Memorial Fund Award
Residencies and Programs
2020 - Roundtable Residency, Toronto ON
2018 - Sparkbox Studio Residency, Picton ON
2017 - Montreal Contemporary Music Lab, Montreal QC
Public Speaking and Workshops
2022 - Artist Talk, JAV130, Daniels Faculty, University of Toronto
2021 - Interview with curator Lillian O’Brien Davis for vitrines show Sandbox, Gallery 44, Toronto ON
2018 - Artist talk, Magpie Landscapes, Karsh-Masson Gallery, Ottawa ON
2018 - Workshop facilitator, ‘Improvisation with Videographic Scores’, Toronto Creative Music Lab, Toronto ON
Catalogs, Press, and Works Featured
2021 - Open2, www.open2.cargo.site, Will you miss me when I’m gone?, text by Jess Tsang
2020 - The Six Hundred vol. 3
2018 - Karsh-Masson Gallery catalogue, To forage ones pockets: The elusive world of Adrienne Scott, text by Laura Demers
Selected Writing
2022- Material Thinking on Material Excess, essay accompanying Michelle Cieloszczyk’s work ‘Oxidized Macbook’, Future Creep
2022 - Gentle jokes for friendly ghosts, exhibition essay accompanying Lucia Wallace’s show ‘all the ways we don’t say’ at Between Pheasants Contemporary, betweenpheasants.com
2021 - A sound is a substance, a substance is a sound, short essay in response to Jess Tsang’s percussion improvisation work, Open2, www.open2.cargo.site
2021 - The problem and possibility of language in Rachel Gray’s Interchange, Off Centre, weareoffcentre.ca
2020 - Message in a Bottle, short essay accompanying Letters* by Jessica Bell, www.jessicabell.nl
Related Professional Experience
2022 - Teaching Assistant, JAV200 Introduction to Critical Theory, University of Toronto
2019- […] - Collective Member and Co-founder – Emergensies Collective, Toronto ON
2014- 2016 - Studio Assistant to artist Tim desClouds, Ottawa ON
Collections
Various private collections; City of Ottawa Public Art Collection